Senjuko – confectionary of the Ryukyu Dynasty is restored
October 5, 2011 Ryukyu Shimpo
For the first time in three decades, Ryukyuan traditional sweets called senjuko have been recreated and sold by the Chinsuko Hompo Arakaki Kashiten (a confectionery company) that has its head office in Shuri, Naha City. The thing that brought this about was Tempest, a novel set in the Ryukyu Dynasty. The company has been in business for 72 years, and can trace its know-how back to a chef in the Ryukyu Dynasty. The confectionary has been handcrafted from this February using traditional manufacturing methods.
The sweet bean paste used in senjuko is made from peanut butter, sesame and kippan, which is citrus peel boiled with sugar. This is then wrapped in a dough covering made using lard. As soon as you bite into it you can taste the flavor of peanuts and sesame, and from there the briskness of the citrus spreads through your mouth.Executive managing director 36 year-old Yoshitoyo Arakaki explained, “Senjuko was prepared for Buddhist memorial services and celebrations, and was made often until around the reversion of Okinawa to Japanese sovereignty. However, the reversion meant that Japanese and Western confectionery prevailed, and traditional sweets with a complex manufacturing process disappeared.”
Factory manager 54 year-old Satoshi Adaniya, who has 37 years experience in this business behind him, learned the manufacturing method directly from the last chef, but he had a tough time remembering the details of the process. “Shaping the petals is difficult. I always ask myself am I doing it the right way, as I make them,” he said.
Senjuko is available only from four stores run by the company, and because it is made by hand, its production is limited to between 50 and 100 units a day.
During the Ryukyu Dynasty, Ryukyuan traditional sweets developed independently, with influence from both China and Japan. Although the names of over 200 sweets appear in literature, almost all of the recipes were lost with the overthrow of the dynasty and the awful damage to all manner of Okinawa’s cultural assets during World War II.
(English Translation by T&CT, Lima Tokumori and Mark Ealey)
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